SEXUAL HARRASEMENT - I NEED A FREAK [DARK ENTRIES]

SEXUAL HARRASEMENT - I NEED A FREAK [DARK ENTRIES]

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ARTIST: SEXUAL HARRASEMENT
TITLE: I NEED A FREAK
LABEL: DARK ENTRIES
CAT NO: DE-264
FORMAT: 12" 
GENRE: EBM / FUNK / ELECTRO
FEATURES: FULL COLOUR SLEEVE
COUNTRY: UNITED STATES 
RELEASE DATE: OUT NOW

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Quirky-yet-lurid electro funk from Cleveland, 1983 - deluxe reissue , for the first time on double LP, pressed at 45 RPM for maximum DJ-friendliness !

Lynn Tolliver, DJ/Program Director at Cleveland’s WZAK, adopted the pseudonym David Payton in order to keep his musical endeavors separate from his public persona. Sexual Harrassment (misspelled deliberately) was formed as a concept band, with members selected based on appearance and choreographic skill rather than musical ability. Tolliver’s explicit lyrics focused on the central themes of desire and sexual relations. Working at a studio in Akron, he recorded an album of quirky-yet-lurid electro funk, which was released on Heat Records. Tolliver remarks, “I learned as a youngster, sex sells! The things that are rated the worst – violence, horror and sex – are the things people want to see or hear about.” I Need a Freak was a surprise hit, selling over 100,000 copies. 

While the album’s naughtier moments seem quaint by contemporary standards, the fusion of lo-fi funk and disaffected vocals still stuns today. On the eternal electro-raunch anthem “I Need a Freak”, minimalism serves to highlight the lasciviousness of the deadpan lyrics, which were inspired by Lourdes Figueroa, Tolliver’s girlfriend at the time. Tolliver’s whimsy shines on tracks like “If I Gave You a Party” and “K.I.S.S.I.N.G.”, which contrast nursery rhyme structures with decidedly R-rated lyrics. “Exercise Your Ass Off” lampoons the home exercise craze, but with a more-than-suggestive sexual bent. Also included are two bonus cuts, “We Want Prince” and “These Are The Things That I Like”, previously released as singles in 1984 and 1986, respectively. “We Want Prince” is both a homage to the Purple one and a gentle satire of obsessive fandom.

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